Marius Teodorescu: noiembrie 2016

Portofoliu

EXPOZITII COLECTIVE incepand cu 1975, participari la majoritatea saloanelor Brailei; 1984 - Buzau; 1985 - Constanta; 1988 - Buzau si Rm. Valcea; 1993 - "Salonul national de natura statica" Galati; 1994 - "Saloanele Moldovei" Bacau si Chisinau; 1999 - Rm. Valcea; 2000 - Iasi; 2007 - "Saloanele Moldovei" Bacau si Chisinau; 2007 - Galati; 2004, 2006, 2008, 2010 si 2013 - Bienala "Ion Andreescu" Buzau; 2010 - Galati; Rm. V@lcea - martie 2013; Expozi\ia de pictur`, grafic` ]i sculptur` “Arti]ti Plastici la Dun`rea de Jos”, Muzeul de Art` Vizual` Gala\i - 2013. EXPOZITII PERSONALE 1975 - Macin/Tulcea; 1980 - Tulcea; 1985 - Faurei/Braila; 1988 - Braila; 1994 - La Regrippiere/Nantes/Franta; 1994 - La Chapelle sur Erdre/Franta; 1996 - Braila ("Teatrul "Maria Filotti"); 2005 - Nocera Superiore/Napoli/Italia; 2012 - Galeriile Gheorghe Naum, Muzeul Brailei.

LUCRARI IN COLECTII PARTICULARE din Romania, U.S.A. Franta, Italia, Suedia, Grecia

Opinii critice / Critical reviews

“[…] C@teva minute sunt de ajuns pentru a [n\elege c` arta lui Teodorescu apar\ine zilelor noastre: este, [n acela]i timp, nelini]titoare ]i viguroas`, [n unele reprezent`ri misterioas` ]i vibrant`, adesea meditativ`. Devine exploziv` atunci c@nd alegerile cromatice transmit prin tonalit`\i adecvate un mesaj puternic ]i redevine calm` atunci c@nd tema tratat` o cere, paleta adapt@ndu-se ]i ea noii realit`\i. Este ca ]i cum ai citi, [n limbaj figurativ, o pagin` de ziar care trateaz`, cu non]alan\`, cronic`, cultur`, politic` ]i sport. […]”

Prof. Pasquale Petrucci

Salerno, 5 februarie 2005

“[…] A few minutes are enough to understand that Teodorescu’s art belongs to our times: it is, at the same time, restless and vigorous, in some representations mysterious and quivering, often thoughtful. His art becomes explosive when it appeals to cromatic choises that strengthen, with appropriate tonalities a strong message. Becomes smooth when it is required by the theme: and we find a light palette fitted to the reality. It seems like to be reading, through the figurative language, a newspaper page daling with chronical and culture, politics and sport. […]”

Prof. Pasquale Petrucci

Salerno, February 5^th 2005

“[…] {n arta sa ne apare ca evident` [nl`turarea progresiv` a oric`rui obstacol ce ar putea sta [n calea suprapunerii perfecte a culorilor ]i sentimentelor, excluz@nd orice nostalgie pentru folosirea mimetic` a culorilor. Culoarea devine protagonistul absolut, iar tablourile sale eman` contraste fulminante [ntr-un tumult de galben sc@nteietor ]i ro]u furibund. […]”

Curator, Cristina Tafuri

Salerno, 14 februarie 2005

“[…] In his art it appears evident the progressive removal of all what prevents and hinders the perfect identity between the feelings and the colours, excluding every kind of nostalgia for an imitative use of the colours. With Teodorescu “the colour” becomes the absolute protagonist and his paintings flush with flashing contrasts, glittering with furious yellow and red splinters. […]”

Curator, Cristina Tafuri

Salerno, February 14^th 2005

Marius Teodorescu

miercuri, 30 noiembrie 2016

Muzica liniei curbe

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